Mixed Media Installation: Multi-channel video installation, CRT monitors, Projector, Soil, Plants, Dead leaves, and Objects.
1920 x 1080 (Full HD),mp4
Dimensions variable 尺寸依場地而定
從人的視角俯視往下觀看，鏡頭漸漸拉近，可以看到身體在不同位置看似棲息在此地空間，彷彿自身在安然的場域裡，但實際上卻是一種不安全的衝突感，不確定的間隙與場域的場所記憶。透過影像裝置載體，影像跳脫出虛擬的畫面，傳遞給觀者強烈的覺暗示之可能。以自我身體參與於真實場域，連結地域性的人與環境關係，進而交織對未來無法預測的身士不二精神。
〈未知的場域〉錄像裝置的四周圍佈滿大大小小的植栽、泥土堆以及磚塊，暗指這個場域最原始樣貌是大自然，但經過人為與未知的變化，卻又互相矛盾對立地產生曖昧不明的關係。指涉當下都市叢林重新回歸自然的諷刺，也對熱島效應提出警語。現代文明的興起，在這共存的隙縫裡，我們是否能尋找彼此平衡的中心點？
Starting from a detached "God’s-eye view" before zooming in, 〈Unknown Site〉 reveals bodies resting across various locales. While they appear to be situated in peace, the work uncovers conflicting memories of instability and uncertainty within the gaps of these areas. Through the installation's immersive imagery, the virtual world leaps into the physical, conveying a profound sense of implication to the viewer. By engaging a real locale with one’s own body, the work bridges the environmental relationship between people and place, interweaving an unpredictable future with the inseparable spirit of karman.
Surrounded by plants, soil, and bricks, the installation implies that the site's most primitive state was Mother Nature itself. However, through human intervention and obscure alterations, a contradictory and ambiguous relationship emerges. The work satirizes the artificial reversion of the "concrete jungle" to nature while warning of the urban heat island effect, ultimately questioning if humanity can find an equilibrium between nature and modern society within the gaps of their coexistence.
Source of video file play: Single-channel / Multi-channel projection and CRT monitors.
Video format and codec: MP4 (Codec: H.264)
Resolution: 1920 x 1080 (Full HD)
Duration: 03:00 (Main video), 04:05, 04:15
Presence of sound: Yes
Sound coding method: MP3
