本系列作品於2025年受新竹市美術館委託創作，參與展覽《築跡永恆：新竹市役所的百年光影》（展期：2025年5月27日至8月3日）。作品以新竹美術館（原新竹市役所）古蹟修復期間所拆卸、遺留的建材為創作素材，發展出結合地景與影像的裝置藝術
“Broken Landscapes”by Hsinchu Museum of Art, Fragmented Landscapes was developed in 2025 for the exhibition “Traces of Permanence: A Century of Light and Shadows at the Hsinchu City Office (May 27 – August 3, 2025).
This video installation utilizes architectural fragments—such as terrazzo floor chips and roof tile shards—salvaged from the restoration process of the historic building, formerly the Hsinchu City Office (1925). Through the reconfiguration of these materials into a landscape-like installation embedded with moving images, the work explores how memory can resurface through physical remnants, engaging viewers in a microcosm of historical dislocation and temporal layering.
《碎景》將古蹟修復過程中被排除的碎片轉化為敘場域，透過材質與影像的交錯，觸發關於空間、時間與歷史殘留的深層感知。建於1925年的「新竹市役所」（現為新竹美術館）建築為背景，聚焦其二樓門廊露臺和建築屋頂的修復過程中，所遺留的建築碎片，思考記憶如何透過物質殘留，在修繕與不同時序的觀看之中重新浮現。
藝術家陳家翊採集修復期間剝離的建材，堆疊出一座散落於展場的地景結構結合影像裝置，回應露臺初建時的空間意圖與歷經轉變後所遺留的破碎景象。
造景中所使用的植栽參考日治時期常見的陽台與公共景觀植物，與自然生長的野草交錯生長，如同根植於歷史縫隙的有機記憶。觀者需穿梭其間、彎身俯視，方能窺見那藏於地景深處的微光與流動影像。
“Broken Landscapes ”transforms architectural fragments, discarded during heritage restoration, into a narrative terrain. Through the interplay of material and video, the work evokes a profound perception of space, time, and historical residue. Set within the context of the Hsinchu City Office—constructed in 1925 and now operating as the Hsinchu Art Museum—the piece centers on the rooftop and second-floor veranda restoration.
It explores how memory can re-emerge through physical remnants, reshaped by renovation and viewed across temporal strata. Artist Chia-Yi Chen collected dislodged terrazzo chips and roof tile fragments from the restoration process. These materials are recomposed into a scattered landscape within the exhibition space, embedded with video screens that respond to the original spatial intention of the veranda and its transformation over time.
The planted species reference balcony and public greenery commonly found during the Japanese colonial era, growing in tandem with naturally sprouting weeds. Together, they form an organic memory rooted in the historical crevices. Viewers must navigate the work, bending and crouching to glimpse the faint glow and moving images hidden within the debris.
廢棄建材（屋頂黑瓦片、磚塊、地板磨石子）、枯葉、植物、尺寸依場地而定
Video,Discarded building materials (Black roof tiles, Bricks, Terrazzo floor fragments, Wood blocks), Dried leaves, Plants